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66 pages 2 hours read

D. H. Lawrence

Women In Love

D. H. LawrenceFiction | Novel | Adult | Published in 1920

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Chapters 14-18Chapter Summaries & Analyses

Chapter 14 Summary: “Water-Party”

The Criches hold their annual party on Willey Water. Gudrun and Ursula walk to the party with their parents, laughing at them along the way. Gudrun is anxious about the crowd, which annoys Ursula. At the party, Rupert greets the sisters and their mother, as does Hermione. Hermione introduces Mr. and Mrs. Brangwen to Laura and Gerald. Gerald, whose hand is bandaged, oversees a boat launch into the lake, then asks Gudrun if she wants to ride in the boat. She declines, telling him about a negative experience she had on a pleasure boat on the Thames.

Ursula asks Gerald if they can use a rowboat instead. She and Gudrun assure him that they can manage it by themselves and want to visit a deserted part of the lakeshore. He says there is a canoe they can use to have a picnic apart from the other guests. Gudrun is attracted to him, and the feeling is mutual. Gerald tells the sisters that he hurt his hand while using some machinery in the plant. Rupert helps Gerald get the canoe, and once they help Ursula and Gudrun get situated, the men watch them set off.

Gudrun rows them to a secluded location surrounded by trees. Certain they can’t be seen, Ursula and Gudrun take off their clothes and go swimming. Afterward, they dry off, get dressed, and have their picnic of tea, sandwiches, and cakes. Both sisters enjoy themselves, and Ursula begins to sing. Gudrun, with Ursula’s permission, dances rhythmically to the music at sunset. Some Highland cattle arrive, which initially startles the sisters. Then Gudrun dances for the cattle, slowly moving closer to them. As she reaches for them, the cattle are scared away by a yell.

Gerald and Rupert appear, and Ursula tells them that they were dancing. Gerald follows Gudrun, who has walked after the cows, and Rupert dances with Ursula and kisses her fingers. Meanwhile, Gudrun rushes at the cattle, causing them to run away. Gerald tells her the cows are dangerous, explaining that they killed another cow a few days ago. Gudrun says he is trying to scare her and hits him; then they walk back to the edge of the lake.

Along the shore, the partygoers light lanterns. Gudrun asks Gerald to not be angry with her, and he admits that he loves her. Rupert and Ursula talk about the river and marsh; he says it is dark and deathly and that everyone is involved in creation and destruction. They talk about flowers—Rupert arguing for dark, evil flowers, and Ursula supporting bright, happy flowers. Eventually, Gerald and Gudrun meet up with Rupert and Ursula, and they all smoke. Night falls, and they light lanterns with various drawings on them: a stork, flowers, butterflies, crabs, and cuttlefish. Gudrun and Gerald gaze at each other in the light of the lanterns.

Rupert suggests Gudrun and Gerald ride together in the canoe while he and Ursula go onto the bigger boat. Gerald asks for a kiss before they start off in the water, and Gudrun kisses him before beginning to row. They travel among other boats on the lake, experiencing complicated feelings toward one another. Suddenly, they hear shouting, and Gerald says someone is in the water. Gudrun rows them to where the boats are being launched, and they realize that it is Gerald’s sister, Diana. Gerald jumps in the water to join the search, to no avail. Eventually, Rupert, Ursula, and Gudrun take Gerald home while the search continues.

On the walk home, Rupert tells Ursula he believes Diana is dead and that death is better than life. This upsets Ursula, and they continue to talk about death and love. After she touches his arm, they embrace and kiss. At first, she resists but then turns to him and kisses him passionately.

Once he has seen Ursula home, Rupert returns to the search. Gerald tells him they still haven’t found Diana, but they are going to continue to drag the lake. Rupert tries to convince Gerald to stop for the night, but he refuses. Rupert leaves, and several hours later, near dawn, Gerald and the others recover the bodies of Diana and a young man—the doctor’s son. Her hands are around his neck, and Gerald declares that she killed the young man as he was trying to save her. The men take the bodies to Shortlands.

Chapter 15 Summary: “Sunday Evening”

On Sunday, Ursula sits at home, contemplating death. Rupert arrives just as her young siblings, Billy and Dora, are getting ready for bed. During the visit, he feels like Ursula is distant. Billy allows Rupert to kiss him goodnight, but Dora does not. After the children are in bed, Ursula notes that Rupert looks ill and is disgusted by his lack of care for himself. Her family comes home from church, and Rupert tells them that he had tea with Gerald. Gudrun, her mother, and Rupert discuss the differences between public and private grief. When Rupert leaves, Ursula realizes she hates him.

Chapter 16 Summary: “Man to Man”

Rupert is ill and thinks about death and love while in his bed. He considers marriage outdated and longs for a purer union. Rupert fears women being in control of him and compares Hermione and Ursula. He rejects the idea of lovers being two halves of the same whole; rather, lovers should be a mixture of two complete beings.

Gerald comes to visit, and they joke about sin making Rupert ill. After they discuss Gerald’s success in business, Gerald admits that Gudrun hit him the night Diana died and they haven’t seen each other since. They talk about Gerald’s lack of grief over his sister’s death and whether death is the most important thing in life. Their conversation turns to his younger sister Winnie’s education. Rupert argues against sending her away to a private school, which Gerald takes as evidence of Rupert’s lower-class status. Rupert changes the subject to male friendships and asks if they can swear to be true to each other. Gerald replies maybe someday, but not now.

Rupert suggests that Gudrun tutor Winnie, though he doesn’t know whether Gudrun will accept a position as a private tutor. The men discuss the merits of private versus public education, and Gerald again thinks he is socially superior to Rupert. When Gerald is about to leave, the men shake hands, and Rupert assures Gerald he will be back at the mill soon.

Chapter 17 Summary: “The Industrial Magnate”

Both Ursula and Gudrun lose interest in their men, and Gudrun makes plans to leave England and stay with friends in other countries. The sisters talk to Mrs. Kirk, a honey seller who used to be a nurse for the Crich family. She tells them stories about Gerald’s mother spoiling the children when Gerald was a baby, while his father would punish them. Gudrun dislikes Mrs. Kirk but wants to tell Gerald the stories about his infancy that Mrs. Kirk shared.

At Shortlands, Gerald’s father, Thomas, is dying. The narrative shifts to his perspective as he thinks about how he fears and pities his wife, Christiana. He tried to behave like a generous Christian toward his workers because he believes that the lower class is closer to Christ. However, his wife does not like the poor and would turn people away seeking charity. Thomas thinks he loves her, but the narrator insists that death will reveal his true feelings about his wife. He is close to his son, but like Christiana, Gerald does not believe in charity. Thomas is closest to his youngest daughter, Winnie, and desires to become closer to her after Diana’s death. Winnie, the narrator says, is “a pure anarchist [and] a pure aristocrat at once” (220). She sees people as her equal or does not pay attention to them at all, regardless of their class. Thomas is hopeful that Gudrun will become Winnie’s tutor and hopes to secure the arrangement before he dies.

Meanwhile, Gerald feels guilty as his father dies. When he was a boy, he did not want to be part of his father’s business and went away to Germany for university. Then he traveled overseas, but the traveling didn’t end up being as fulfilling as working in the mines. He finds being at the top of the coal industry empowering, and he begins to like mining more than he did as a child: He likes to exert his will over nature through the act of mining. When Gerald was young, the mine closed because the miners refused to accept a pay cut. Soldiers were brought in, riots ensued, and eventually, Thomas reopened the mines. During that time, Thomas donated food to the workers’ families; Gerald, a child at the time, wanted the workers to return so they could make money for the mine. Today, he believes that technology is mining’s future; under his control, the mine runs smoothly and profitably. However, despite the mine’s success, Gerald feels his life lacks meaning. Rupert’s ideas reassure him, but only temporarily. While sexual activities with women used to make him feel better, he has recently lost interest in them.

Chapter 18 Summary: “Rabbit”

Gudrun resists going to Shortlands but ends up accepting Thomas’s request to tutor Winnie. Winnie is initially distant when she meets Gudrun. However, when she learns Gudrun is a successful artist, Winnie becomes interested in her. They first draw Winnie’s dog, Looloo, with pencils on paper. Winnie pauses in her drawing to lavish affection on the dog. When she finishes, she shows the dog her portrait of him, then shows Gudrun, who compliments her work. Gerald is away during this meeting.

When Gudrun visits again, Gerald is at Shortlands. Gudrun’s light-colored clothing contrasts with the black mourning clothes of the Crich family. They discuss how Winnie is going to draw Bismarck, her rabbit, while Gerald jokes that they are going to draw and quarter the rabbit and have it for dinner. When Gerald shows Gudrun flowers, her reaction causes him to love her. The group goes to the stables to find the rabbit. It runs around its cage, and Winnie warns Gudrun that the rabbit is not tame. Gudrun picks up the rabbit, which scratches her and makes her angry.

Gerald takes the rabbit from her. The rabbit screams, which causes Gudrun to become pale. Gudrun declares that Bismarck is insane, and Gerald thinks it is a typical rabbit. They share a smile of understanding when Gerald compares humans and rabbits. Gudrun’s smile and her comment that people are rabbits feels like another slap to Gerald.

Chapters 14-18 Analysis

Diana’s death and its aftermath is the main feature of this section. It is a pivotal plot point and a turning point in the characters’ relationships and development. It affects the relationships of Rupert and Gerald, Ursula and Rupert, and Gudrun and Gerald. The event also brings Gerald’s family into focus and provides history about the mine.

After Diana’s death, Rupert tries to extract a vow of love from Gerald. Gerald hesitates, saying, “We’ll leave it till I understand it better” (207). This is a crucial moment: At the end of the novel, Rupert thinks Gerald making the vow would have saved his life. Gudrun’s mixed feelings toward Gerald come to a head just before they discover that Diana is missing; her passion for him has a violent edge, which explodes when she slaps him. This echoes Hermione’s attack on Rupert with the paperweight in the previous section. In both instances, the women become violent after being rejected by men who are uncaring toward them. Gudrun is bothered by her sexual attraction to Gerald, as he acts superior to her while she wants to be seen as equal. Ursula and Rupert finally kiss, but only after he tells her that being dead is better than being alive. Death tinges all the conversations in this section, which is important because the conversations bridge abstract topics, such as the nature of love and impermanence, with the physical, romantic world. The discussions and debates serve as foreplay; some lead to real physical intimacy while others do not. Diana’s death makes the characters’ need to communicate with each other even more urgent. The ability to understand each other intellectually and romantically is what will allow the couples to be together.

This section also explores the tension between public and private lives, especially as it relates to social class. After Diana’s death, Gudrun condemns the behavior of the Crich family: “What can be worse than this public grief […]. If grief is not private, what is?” (197). Later, Gerald wonders why Gudrun would leave her job at the grammar school to become Winnie’s tutor, and Rupert says it is the “difference between a public servant and a private one” (209). Gerald feels himself superior to Rupert when Rupert argued for public education, as private schooling is a staple of the upper classes. Using Gudrun as Winnie’s tutor is private schooling in another form that still maintains the Criches’ preferred power dynamic while allowing them to appear more open-minded. This desire for private—i.e., exclusionary—accommodations contrasts with the family’s public performance of grief over Diana’s death. It is important that the townspeople see them as morally upright, which would be impossible if the family displayed their true indifference about Diana’s death. They express those true feelings in private so that they are only known to the Criches’ inner circle.

The focus on the Crich family continues in this section with the contrast between the old and new generations. Thomas followed Christian principles of charity regarding the treatment of his workers. He “wanted his industry to be run on love” (225) and gave free coal to the miners’ widows after their husbands died. His son, on the other hand, embodies the Industrial Age’s focus on profit over people. To Gerald, “What matter[s] [i]s the instrumentality of the individual” (223), meaning that the miners only matter according to how much wealth they can generate for him. Gerald notably stops the practice of giving the widows free coal, considering it detrimental to the mine’s profits. Gerald extends his principle of domination to the realm of nature as well. He wants “to subjugate Matter to his own ends” (223). At the end of the novel, this attitude leads to Gerald’s death: He wants to subjugate the Alps to his will, and this costs him his life.

This section also contains the symbols of flowers and the moon. It alludes to Les Fleurs du Mal (173), a collection of French poems by Charles Baudelaire. When Gudrun comes to tutor Winnie at Shortlands, Gerald shows Gudrun flowers, which he thinks are petunias, and “her eyes, hot with the beauty of the flowers, looked into his” (238). Flowers are not only beautiful but a symbolic aspect of courtship during the interwar period: Because flowers were imported as part of colonial efforts, they were rare and expensive. Thus, giving flowers to a woman was a significant display of affection. Beautiful exotic flowers are contrasted with local flowers, such as catkins, the purpose of which is propagation rather than beauty, expanding the motif of love and sexuality on a symbolic level.

Moonlight is an important symbol surrounding the events of Diana’s death. Because of the tragedy, Ursula and Rupert develop a distaste for the usually poetic or romantic sight of moonlight reflected on the water. This motif continues in the following section, when they bond over Rupert disrupting the reflection of the moon in water.

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