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65 pages 2 hours read

Heather Fawcett

Emily Wilde's Compendium of Lost Tales

Heather FawcettFiction | Novel | Adult | Published in 2025

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Chapters 1-7Chapter Summaries & Analyses

Chapter 1 Summary: “29th December 1910—Contd.”

Continuing from the events of the last book, Emily and Wendell are on a Greek coast, looking for a door into Silva Lupi. The door has been lost to Wendell for a decade, and they’ve arrived at its possible location after much research. Emily and Wendell finally chance upon the door, and along with Wendell’s temperamental magical cat, Orga (also known as the beast of the Elderwood) and Emily’s loyal old dog, Shadow, they step into a sunny day in Silva Lupi. Shadow is a Grim—a kind of faerie that can sense death—made to resemble a large dog through magic. Long ago, Emily rescued Shadow from a shape-shifting boggart, and the aging Grim has not left her side since. Soon, they are joined by Wendell’s guardians—protector spirits, chief of which is the owl-like, six-limbed Razkarden—and a bunch of trolls, tree fauns, and fuchzswerge or fox-fairies. Wendell playfully asks Emily if she is ready to take back their realm, but Emily worries that neither she nor Wendell know anything about seizing or ruling a kingdom. Reassuring Emily that she and her books will find a way, Wendell leads the group up a long, winding path to his castle. On the way, Emily makes notes on the features of the realm, such as the three lakes—including the magnificent Silverlily—of Wendell’s kingdom. The feature that she dislikes the most are the shadow-dwelling “attentive oaks,” each leaf of which has a staring eye. These eerie trees are quick to take offense at the smallest slight, and it is from them that the Silva Lupi—translated very roughly as “Where the Trees Have Eyes”—gets its name.

As the group advances, Emily observes Wendell using flourishes of magic to make the flowers bloom along the way. Emily is exasperated Wendell is not more worried about their circumstances—his stepmother, Queen Arna, is supposedly out of power but has not abdicated the throne; Wendell’s enemies, including Lord Taran, the half-brother of the Queen, are biding their time. Just then, Wendell stops before a tree and plucks off a brownie from a branch, interrogating her about the happenings in his realm. The brownie tells Wendell that in the wake of Wendell’s return, Arna has fled, and wars have been taking place among factions of the Folk (faerie nobility) throwing the world of the brownies and other commoners in turmoil. The brownie wants to show Wendell a nearby battleground.

Chapter 2 Summary: “30th December”

Though the meadow on which the battle took place is deserted, it bears clear traces of violence, such as an occasional rumble from the ground and a tree cleft in two. While Wendell goes off to inspect a nearby hill—the epicenter of the fight—Emily tends to Shadow, who is exhausted from the long trek. Armed with a sword, Lord Taran materializes on the scene (Emily met the Queen’s haughty half-brother in the last book), surprising Emily. When Taran mocks Emily—a lowly mortal—for trying to be queen, Emily asks the lord why he does he not simply seize the throne himself. Taran counters that he has no desire to be a ruler, as rulers of the Faerie realm often end up dead.

As Taran and Emily trade words, Wendell returns from his foray. Taran challenges Wendell to a duel: He is bound to do so, as his father made him swear not to allow anyone to claim the throne unless the claimant proved stronger than the prince. Wendell accepts the challenge, and a fierce fight breaks out. Wendell fights admirably, but Lord Taran is clearly the better at swordplay and gains ground on Wendell. As Taran is about to strike Wendell, Orga twines herself around Taran’s feet and makes him trip. Seizing the momentary advantage, Wendell asks Emily to throw him her cloak (which Wendell magicked in the first book). He draws the cloak as a shield between him and Taran, the cloak’s hem rippling out like a shadow. Taran realizes Wendell has sewn a piece of the Veil—the most horrifying, interdimensional realm of Faerie—in the cloak. Taran has no option but to surrender to the cloak’s power. Though Wendell did not technically defeat Taran at swordplay, he did prove stronger in magic, satisfying Taran’s oath. Taran accepts Wendell as king.

Taran tells Emily and Wendell that the queen is presumed dead from poisoning, though she was taken away by her guards before Taran could confirm her death. Because of the uncertainty around the queen’s death, Wendell’s path to the throne will be tricky. To ensure a safe passage for Wendell into the castle, Taran goes on ahead to clear the path of hostile courtiers.

Chapter 3 Summary: “31st December”

Based on Emily’s idea that their group must make a grand entrance to quell dissent, Wendell sews magnificent black and silver cloaks for himself, Emily, and Shadow. Emily, who knows a few Words of Power, or magical words whose utterance manifests objects, repeats a Word till exquisite buttons come flying out. Emily gathers as many as she can, and Wendell sows them in his own coat. Emily and Shadow’s coats are made from magical materials, such as reflected starlight gathered from a pool. Wendell’s cloak is alive and hungry and even eats small animals until Wendell bids it stop.

An audience of common fairies and Courtly Fae gathers about Wendell’s party as they approach the castle. To Emily, the fairy folk appear blurred and indistinguishable, as if their strange beauty is too much for her mortal mind to absorb at once. Lord Taran and Callum Thomas—Taran’s beloved life-partner—come out to greet Emily and Wendell by laying their swords at their feet. The gathered Folk take the cue and kneel before the couple. Mirrors are brought out for Wendell to smash, as this is customary when power passes from one monarch to another. Wendell raises a mirror and asks the gathered Folk if they will celebrate his homecoming. The Faeries hesitate at first, then jostle to grab the mirrors.

Chapter 4 Summary: “1st January 1911”

Emily wakes up in Wendell’s quarters with Orga on her chest, the cat’s claws dangerously close to Emily’s throat. Emily removes Orga from her person and reflects that it is New Year’s Day. However, she doubts the Faeries would know this, as they don’t follow calendars or even believe in the concept of linear time. Though Emily can’t remember much from last night’s celebrations, she recalls sounds of violence in the distance. She decides to let Wendell sleep in, especially since they already woke up once before to have sex, and she steps out through a door to explore the castle.

One room is a grand Roman bath, while another is a room full of Folk. When the courtiers fawn over Emily, she beats a retreat and winds up in a dining room with only one person in it: a tall, pretty woman with dark brown skin and short black hair. Emily immediately recognizes her as a mortal. The woman, nearly sightless, greets Emily. As the two talk, Emily discovers that the woman is none other than the dryadologist Niamh Proudfit, believed to be lost for nearly three decades. Niamh still looks in her thirties, as humans age very slowly in Faerie. Niamh has survived all these years by working as a royal scribe who stays out of court politics. Wendell enters the dining room, joined by Callum and Taran. As the group talk about Faerie, Callum and Niamh share how the realm—enchanting as it may be—is always filled with dangers for mortals. Wendell’s father and stepmother both routinely rounded up mortals they did not like and set them in the boglands for nobility to hunt. Wendell assures the mortals he has no plan to carry out the tradition.

Wendell asks Callum about a strangeness he has perceived in Faerie: He can sense a curse on the land, seeping into the very trees. Callum confirms that the trees are dying from a mysterious illness and that the infection persists in their twisted shapes even after the trees are dead. Taran has tried arresting the illness by burning diseased groves to the ground, but the sickness pops up elsewhere. Moreover, last night, Taran learned that the queen is hiding in the realm, transferring the poison in her blood to the land itself. Emily suggests Wendell visit the King’s Grove to address the Folk and establish his authority before scouting out his stepmother.

Chapter 5 Summary: “1st January—Late”

Emily and Wendell sit on grand but uncomfortable thrones in the King’s Grove as Wendell meets supplicants. To Emily’s approval, Wendell patiently listens to the suits of the common faeries too. After a while, a beautiful Fae with hair like raven’s feathers approaches Wendell and challenges him to a duel, which Wendell accepts. The Fae fights Wendell furiously till he disarms her, and much to Emily’s horror, stabs her through the chest. The Fae transforms into a raven and flies away. Wendell tells Emily the Fae’s death was unavoidable as his father cursed her to challenge each of his descendants if she wanted to retain her humanoid form. Only when the Fae kills the claimant to the throne will she be permanently restored.

Exhausted by the proceedings, Emily asks Wendell if they can leave the grove. Wendell senses Emily’s discomfort as they walk to the castle and tells her that if she wishes to return to Cambridge, he will give up the realm for her. Emily quells his doubts with a kiss and says being in Faerie is her own choice.

In the castle, Taran has rounded up a council for the new king. Emily finds the council faeries strange, especially a woman who wears a crimson cloak that leaks blood, and another called the Lady East Wind, who vanishes in a blast of air. After everyone leaves, Wendell shows Emily the surprise he has prepared for her: dozens of beautiful journals she can fill. He has also magicked one of the doors in his quarters so it leads directly to Corbann in Ireland. Whenever Emily wants a break from Faerie, she can visit Corbann through the door. Moved and delighted, Emily enters the door while Wendell goes off to meet the councilors. The door leads to a countryside with a stone pathway to a cottage. Inside the cottage are Emily’s dear friends Lilja and Margret. The couple tells Emily that Wendell recently invited them to the cottage for a holiday. Last night, he arrived here and tidied the cottage, but the women suspect he magicked it so Emily could visit.

Chapter 6 Summary: “2nd January”

After spending a pleasant evening chatting with her old friends, Emily goes to bed. The next morning, she works on her academic thesis on the courtly politics of the fairy realm. By taking a throne in Silva Lupi, she has taken a step further than most scholars in her field. Though Emily convinces herself that marrying Wendell and becoming queen is meant to further her studies, her heart knows this is untrue. She is in love with Wendell and Faerie. Later, she bids goodbye to Lilja and Margret, who caution her against wedding Wendell. The women like Wendell but mistrust the Faerie Folk in general.

On her return to Faerie, Emily meets the head housekeeper, one of the oiche sidhe, a kind of common fairy. The housekeeper is grey, like most of his kind. Emily asks the housekeeper for information about assassination plots against Wendell. Since the oiche sidhe keep the castle running, they’re bound to hear gossip. The housekeeper readily complies, as Wendell is one of his people. Wendell’s grandmother was an oiche sidhe. Satisfied with the information, Emily seeks out Wendell, holding court in a garden atop a hill. Emily tells Wendell that her study at the cottage and her talk with the head housekeeper have been fruitful: Wendell must remove the Lady East Wind from his council, as she is his enemy. Further, they must immediately proceed to an infected grove to see the nature of his stepmother’s curse. They should take along Deilah, Wendell’s half-sister, whom he has imprisoned. Wendell groans theatrically at the long list of tasks Emily has set them.

Chapter 7 Summary: “3rd January”

Emily and Wendell set out for the cursed grove on gigantic faerie horses the next morning, accompanied by Taran, Lord Wherry, and Deilah. Appearing to be in her mid-teens, Deilah is the picture of unhappiness at being forced on the trip and has torn her dress in protest. When Emily tries to make conversation with Deilah, Deilah calls her a “plain little mouse” (123) pretending to be a faerie and plants centipedes in Emily’s hair. Wendell scolds Deilah for behaving badly, and an angry Deilah tells him to return to the world of mortals, where he belongs. Her mother—his stepmother—is not really dead and will be back to seek her revenge against Wendell.

When the group arrives at the corrupted grove, they see that a sticky mist has engulfed the trees and their inhabitants, killing them. While Wendell and the guards proceed to the center of the grove so it can be burned from the inside, a horrified Emily notes that the faeries killed by the curse have been transformed into wraiths. As the corrupted faeries attack Emily and Deilah, Taran and Wherry push them back and ask the women to return to their horses. Taran suddenly turns against Wherry, breaking his legs and pushing him into the mist. He tells Emily that this is necessary, as he wants to test whether the curse can turn even courtly Fae into wraiths.

As the fire spreads, Wendell returns to Emily and Deilah. Lord Wherry rises from the mist and attacks Wendell. Wendell kills him for the final time. To Emily’s disgust, Taran remarks that his curiosity has been satisfied. As Deilah cries, Emily comforts her, feeling guilty for bringing her on the trip. The ghosts and wraiths of various faeries and some of Wendell’s dead guards rise from the mist and attack the group. Wendell begins to strike them, his movements so rapid and efficient that he appears transformed into a killing machine. Emily notes that when one of the wraiths knicks Wendell’s side, the blood that drips to the ground transforms the dead earth, making grass and flowers bloom instantly. The grove and the mist are finally overwhelmed by the fire.

Chapters 1-7 Analysis

Epistolary in structure, the novel is told in the first-person through the diary entries of Emily. This form grants access to Emily’s most intimate thoughts. However, at the same time, Emily’s account never pretends to be other than a construction or an artifice, setting up a tension between Emily the person and Emily of the journal. Emily often reminds the reader that what they’re reading is not the truth as it unfolded in real time, but her later-recorded version of the truth. For example, in Chapter 1, Emily writes that she has chosen to record in the journal “a select few insights” (16) from her trip to Wendell’s castle. This makes it clear Emily edits the information she records, acting as a filter between the whole truth and the truth on the page. As this example shows, Emily’s narration draws attention to the fact that her intimate, immediate account is a constructed story, built with careful narrative choices. The juxtaposition between the authentic atmosphere of her journal and its simultaneous assertion of artifice gives the novel its characteristic tension. The novel’s attention to narrative and storytelling choices is also crucial in illustrating the theme of Stories as a Means of Creating Reality. The text asserts that the stories a culture chooses to preserve and perpetuate weave the very fabric of that culture. Another way in which stories create reality is by perpetuating both rule and exception, pattern and aberration. For example, Taran plays his role in a set pattern when he challenges Wendell to a duel, but paradoxically, he also provides Wendell a method to break the pattern: Taran offhandedly mentions that he did not fight his sister, Queen Arna, as she is more powerful than Taran in her own way. Wendell takes the hint and breaks the pattern by defeating Taran his own way, which is through magic and sewing rather than a swordfight.

The feint Wendell exercises is an example of the importance of loopholes in faerie stories and oaths. Since faeries love to trick each other and mortals, even the most rigid of their promises can contain room for interpretation and manipulation. Wendell’s loophole foreshadows the centrality of escape clauses in the later sections of the novel, reminding Emily and the reader that no matter how ominous things seem, the world of Faerie will always provide a work-around if one is clever enough to find it. As the Wendell-Taran episode shows, the narrative engages in world-building not through direct exposition, but by immersing readers in the world of Faerie. Moreover, since Emily is an outsider and a scientist, making careful notes on the unknown world of Faerie, her perspective proves useful in introducing this fantasy world to the reader. Through Emily’s observant and scholarly perspective, the reader learns of vengeful faerie snails, the trees with an eye “heavy-lidded or bloodshot” (18) on each leaf, and the great lakes of Wendell’s realm.

While Emily is frequently delighted by the charm and whimsy of Wendell’s lush, complicated realm, the narrative also establishes that in Faerie, horror and violence coexist with beauty. The horror element is emphasized through Emily’s descriptions of some of the grislier creatures of the realm: Razkarden, Wendell’s guardian, for instance, is a gargoyle who looks like a predatory owl with six large spidery limbs, the cursed grove contains daera, which look like a hybrid between humans and toads. An example of the violence of which Faerie folk are capable can be seen when Emily and Wendell visit the cursed grove. Here, Lord Taran breaks his peer Lord Wherry’s limbs with a casual brutality and tosses him into the cursed mist to test the mist’s effects on Courtly Fae. The attack is all the more terrible because it is unpredictable and dispassionate. Indeed, like Lord Taran, many Folk are shown to have a casual attitude toward killing. The Lady in the Crimson Cloak, exiled from another court, has killed so many that she wears their blood in her beautiful cloak, hair, and hands. The effect of showcasing the gruesomeness of the Fae is that it creates doubts even around Wendell, a recurrent motif in the novel. Although Emily is convinced Wendell will not harm her, the air of foreboding that surrounds Wendell’s kind creates an ominous atmosphere around the young lovers, adding suspense and tension to the narrative.

The looming threat of danger around Emily is crucial in illustrating the theme of power dynamics in romantic relationships. By virtue of who they are respectively, a power imbalance exists between Emily and Wendell. Emily is a mortal, while Wendell is a monarch of Faerie. Though his playful charm hides it, he is capable of great magic and violence. Emily compares Wendell’s casual, careless use of powerful magic to an “aristocrat tossing coins from his carriage” (19). Moreover, as Wendell travels further into his realm, his magic grows. In Silva Lupi, the advantage of the home-turf too belongs to Wendell. Despite the many disparities between them, Emily and Wendell are shown to enjoy an equitable relationship. Wendell praises Emily’s intelligence and expresses faith that through her brains and research, she will find a workaround to all problems. In an important sequence, Wendell offers Emily his true name—even more secret than Liath, his courtly name in Silva Lupi—to give her an advantage over him: a mortal can control a Faerie by speaking this name. Emily refuses Wendell’s offer, as the prospect of having such immense power over him discomfits her. Emily’s response indicates her desire for an equitable relationship based on love and respect.

Illustrating the synergy between land and monarch in the realm of Faerie, the cursed grove is inspired by the story of the fisher king and the wasteland, a common motif in European folklore and mythology. In Arthurian legends, the fisher king, last guardian of the holy grail, becomes wounded, and with him, his land wastes away. Only when a hero completes the quest of the Holy Grail will the king and his land be restored. The fisher king story can be interpreted as an allegory for a world out of balance. Once balance is restored between land, nature, ruler, and subject, the land, once again, thrives. This close bond between ruler and land is an element of Leadership as Sacrifice. Since the land is directly tied to its ruler, Wendell must protect himself and remain free from corruption to avoid corrupting the land. The realm’s fate is tied with that of both Arna and Wendell. This foreshadows that the realm cannot be saved simply by eliminating Arna. The balance can only be restored when monarch and land survive together.

An important thematic element that emerges in this section is Emily’s feeling of being out of place in the faerie realm. Though Emily knows a lot about the realm, it is paradoxically this very knowledge that causes her self-doubt. In stories from Faerie, mortals are frequently judged for their rumpled clothes and fragile existence. The mortals who impress the Fae are usually glamorous or powerful or both, and Emily feels that she is neither, making her unsure of her footing in Silva Lupi. This foreshadows that as the plot progresses, Emily will have to grow in confidence and learn that power comes from more than appearance, no matter what some stories tell her.

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