81 pages • 2 hours read
Suleika JaouadA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Suleika gets accustomed to driving and no longer worries about the rules of the road. She plans to visit Howard and his wife, Meral, in Columbus, Ohio, but she continues her slow pace and stops first in Buffalo, New York, and visits Niagara Falls. The next day she stops for a walk and returns a call from Jon. She tells him her plan to visit Howard, and he is silent. The call disconnects. Suleika wonders how to know if someone is a good partner for her. Howard responded to Suleika’s first column to share his own experience with chronic illness. He and Meral host Suleika for the evening and take her out to dinner. At dinner, they ask Suleika about her pre-illness interests, and she describes her travels and ambitions. She reflects, “I feel as though I’m touring someone else’s life” (263).
The next morning, they watch the news. Howard mentions that he plans to write a letter to the New York Times in response to an article. Suleika asks him if he has always written letters. Howard explains that he first wrote letters to stay connected to Meral while they were living in different countries. Suleika asks Howard for guidance as she leaves. He defers to Meral, but Suleika presses him to answer. He replies, “Slowly, with enough patience and persistence, you’ll become immersed in life again and, let’s face it, life can be so good. But I think it’s most important to find someone who has the wherewithal to stick it out with you” (265).
Chapter 30 opens in Detroit with Nitasha, who tells Suleika about her condition, dermatographism, which makes her itch all the time. Nitasha turned her suffering into art. She traces her ideas for drawings on her skin. Her body becomes an extension of her sketchbook. Suleika also notices how Detroit is rebuilding itself after a hard time.
Nitasha takes Suleika to a tarot card reader. The psychic tells her that a woman from her family visited him. Suleika suggests it’s her father’s sister, Gmar, who died young. The psychic tells her that Gmar has been watching out for her and keeping her safe during her illness. Now Suleika is on a new journey: “As he speaks, goosebumps erupt on my arms” (269). The psychic reads tarot cards for her and tells her how she will write a book and travel.
She leaves Detroit and heads to Chicago to see Bret, a friend she met on her first day of solo chemotherapy treatment, and his wife Aura. The next and last time she saw Bret, he received the news that he was stable enough to receive treatment closer to home. She thinks of Will as she drives and that last stay in the hospital. Remembering Aura and Bret makes Suleika wonder why she and Will didn’t work out.
She arrives at Bret’s home, an old Victorian house that he and his wife have been fixing up. He gives her a tour. Bret still experiences health scares and remains reliant on Aura for daily tasks, He says, “I’m two years out of treatment and I still feel like hell, […] My hands ache, my muscles and joints wake me up at five in the morning. And I can’t close the lid on my pillbox because there’s so much medication in there” (272-73). Suleika and Bret discuss how difficult it is to keep fighting: “In a way, setbacks were easier to deal with when we were still in treatment […] But when the body betrays you again and again, it obliterates whatever nascent trust you’ve restored in the universe and your place in it” (273). Suleika reflects that the boundary between sick and well is very porous.
Suleika obsesses about what happened between herself and Will. She travels to the Pine Ridge Indian Reservation and talks with a community leader and Oglala citizen named Nick. After talking, Nick and Suleika realize that they know of one another through Will, and she tells him that she and Will broke up. He says, “I had no idea you two split. Man, I’m so sorry.” She writes, “I mop my eyes with the back of my arm once hard before changing the topic” (278). At the hotel, she tries to sleep but thinks about Will. She recalls their first big fight. They planned to go to Santa Barbara to visit his parents and go to a wedding, but she was forced to stay home because of her health. All she can do now is remember and better understand what happened. She no longer talks to Will, but sometimes he sends a text or email with a photo of her during treatment. She feels angry when she receives these.
Suleika starts to drive again and imagines how she would have responded to Will if he had been the one sick, and she reflects, “I doubt I would be capable of doing a fraction of what Will did for me” (285). She apologizes to Will even though he isn’t there. She decides not to call him and says, “To love Will now is to appreciate memories of us, without allowing myself to be seduced by their siren call […] It’s to give him the space he needs to reclaim his life. It’s to do what’s hardest. To let him go” (286). It’s snowing, and she gets pulled over for speeding. The officer lets her off with a warning.
In Montana, she drives without seeing anyone for miles and lets a call from Jon go to voicemail. That night Suleika checks her email for the first time in over a week and sees an email from Max. His cancer is back, but she doesn’t have the energy to respond.
She arrives in Avon, Montana, to Salsa’s family ranch. Salsa met Suleika at “cancer camp” and sent her a care package. Suleika meets Salsa’s daughter Erin, and they give her a tour of the ranch. They are survivalists, living off the land. Afterward, they attend an aerobics class together. While they get ready for dinner Erin reveals that she has cervical cancer. When everyone arrives, Suleika stiffens when they hold hands and pray.
Erin and some of the women in the aerobics class joke that she should marry William’s brother. At dinner, Suleika finds she is attracted to him. They are eating elk that William has shot and beef stew from cows they raised. The men want Suleika to be able to defend herself and promise to teach Suleika to shoot a gun. When she prepares to leave, the family tells her that she can live with them if or whenever the world implodes. But everyone needs to contribute in some way to be a part of their community. She offers to be their scribe. Suleika observes, “In the fear of death, they have found a source, not of alienation, but of intimacy” (300). She drives toward Seattle and feels awed at their openness and generosity to someone so different from them.
Suleika’s fear of driving and her illness run parallel to one another. She grows in confidence on the road and in her body, noticing how she isn’t worried so much about living or the mechanics of driving. Jon is concerned about Suleika visiting strangers. He expresses his fear through silence on the call, and their symbolic disconnection while they talk on the phone builds tension.
Letter writing continues to be a symbol of connection between individuals and internally. Howard mentions that he connected to his wife through letter writing, and he expresses his opinions through writing to the newspaper editor. Their connection along with Howard’s persistence through illness inspires Suleika. She admires the way he has been able to express himself and find fulfillment through writing to others while living with the unpredictability of chronic pain.
Suleika struggles to bridge the distance between her past and present identities. Each period of her life is distinct from the others, and Suleika searches to find her identity post-illness. Her life shrank to fit the narrative of illness, but Howard and Meral help Suleika connect with the parts of herself that she had to abandon. She sees how their relationship has been a positive experience for Howard and a part of his healing. This foreshadows how her relationship with Jon could be a part of her healing. In Detroit, the city and the body are places of reinvention. Nitasha’s body is the site of her pain but also her imagination.
Suleika thought a road trip would be healing for her, but the more distance she puts between herself and Will the more she thinks about him. Suleika has tried to avoid Will and move on, but she can’t avoid thoughts about their life together and the grief of it ending. Suleika is angry at him for living in the land of the well when she wasn’t and couldn’t live there. Driving and spending long hours alone in the car unveils the anger and resentment she still feels toward Will. The texts or emails he sends of her during treatment remind her that she hasn’t yet forgiven him for leaving and that she is still angry and hurt. She realizes that her inability to see and accept his needs drove him away not the illness. Suleika’s apology to Will even in his absence indicates growth in her character. She manages to find a way to forgive him, and she doesn’t need him to know. This is how she loves Will now, and it marks her maturity and entrance into a new way of seeing him and their relationship. As she considers the breakup, the snow swirls around her. The setting parallels the swirl of memories and grief around her.
“The way we heal does not always look like healing,” Jaouad writes (275). The contemplation of her breakup with Will continues to parallel the journey of physical healing. While visiting Bret in Chicago, Suleika sees that she’s not the only one who struggles to be “cancer-free.” Bret is never free from the pills, treatments, and the land of the sick. Jaouad reflects that it is difficult to trust the body, and this restates how much fear and uncertainty Suleika and her friends who have had cancer live with. Healing is not linear nor a destination that she arrives at, yet while at an aerobics class in Montana, Suleika feels stronger and can see the ways that her body is healing compared to several weeks before.
Salsa and her family make the most of what they have. They embrace Suleika. They don’t let the distance between their values or beliefs keep them apart. Jaouad writes, “The greater the distance I travel and the more people I encounter, the more convinced I’ve become that these human experiences bridge differences that might otherwise feel insurmountable” (295). She sees how she has tried to not need others to show she is healing, but the time at the ranch with Salsa’s family inspires her to reach beyond this impulse and connect with others. To do so, she must face her fear and the unresolved past, which means encountering the pain and uncertainty between herself and Jon and her fear of Max’s worsening illness and impending death.
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